If nothing else, at least the tale of the sorrow of his love. The shaa’er seeks some way of consoling himself.
He has several Ghazal in the style of Ghalib.ĭaastaan 3-e Gham-e-ulfat 4 his sahi 1.comfort, consolation 2.means, method 3.story 4.sorrow of love At least 10 collections of his shaa’eri including Ghazal, rubaaii and nazm. Worked for the government of panjab and later haryana, retiring in 1974. Continued education incluing Public Service Commission exam. In college he was class fellow of jagan nath azad and through him became a disciple of tilok chand mahroom. Interest in shaa’eri started from childhood. He read up all of them and learnt to write too. All the books at home including religious texts were in urdu. Ill-treatment by his step-mother drove him to seclusion and reading. His father was a scholar of urdu and faarsi and grandfather (tulsidas) was also an urdu shaa’er. krishn gopal baada maGhmum (1916-xxxx), aTak district (now in pakistan).
Ever Since Raaz-e-Ulfat aired, it never had a dull moment therefore, one expects some firework and cliffhanger moments in the last episode that will air on December 29, 2020.Click here for background and on any passage for word meanings and explanatory discussion. The smart brains working behind (Abdullah Kadwani and Asad Qureshi), their understanding of meaningful content, their knack for backing the right scripts, and their way of executing and marketing a project is their biggest USP. Their presence and credibility are raising their bar higher and higher with every project. 7th Sky entertainment always succeeds in satisfying our cravings by showcasing diverse content. Komal Aziz Khan portrayed her part well, making us hate her to the maximum.Ī good drama is like bread and butter for viewers, especially in Pakistan. Shehzad Sheikh continued to climb the ladder, with another act that gave him ample margin to prove his talent. The actress made her character distinctive by blending an ocean of expressions. Stellar performances undoubtedly powered Raaz-e-Ulfat Yumna Zaidi nailed her part yet again. Malik managed to hit the high notes for most parts of the enterprise and never went overboard with the drama. The writing by (Maha Malik) was enhanced and endearing. As a result, Raaz-e-Ulfat sparkled with romance and heartache and boasted of crackling chemistry between the lead actors. No unwanted melodrama, no unnecessary characters to accentuate the proceedings. This, in my view, has been one of the biggest strengths of Raaz-e-Ulfat. The best part was that Haq never borrowed from romantic clichés that mostly love stories depend upon. The issues that the characters faced were real, relevant, and reflected the mindset of the masses. He nurtured his character well, garnished it with the narrative, each episode having loads of heart and soul.
The Director Sirajul Haq placed his characters in a bottle, shook it well with a swizzle stick, and a love story was ready to be served. Adding another integral character, Ismail (Gohar Rasheed) crosses the path with Mushk in her journey. The story is about her struggle to regain the trust of her loved ones. Adding more to the horror, Mushk loses the trust of her family and lrtiza. Sehba leaves no stone unturned to make Mushk’s life miserable. Their friendship soon turns sour when Sehba discovers Mushk and Irtiza’s (Shehzad Sheikh) newfound relationship. She gets Inspired by Sehba’s modern lifestyle and abrupt nature. The narrative takes a twist when she meets Sehba (Komal Aziz Khan). Mushk is a bird who is confined in a cage, has no other option than to follow the principles set by her father. A quick synopsis: Mushq (Yumna Zaidi) is a naïve and obedient daughter of a strict and conservative father, Iftikhar (Tanveer Jamal).
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